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|  |  | what you will | romeo & juliet | a midsummer night's dream | richard III ...it 
        is 
        an 
        intelligent 
        and 
        sophisticated 
        parody, 
        and 
        under 
        Mr. 
        Wolfe's 
        smart 
        and 
        crisp 
        direction 
        the 
        energetic 
        cast 
        is 
        having 
        so 
        much 
        fun 
        that 
        the 
        jollity 
        of 
        it 
        all 
        becomes 
        contagious. If there were as much justice 
        and wisdom in the New York theater as there is folly and waste, then some 
        thoughtful representative from one of the city's great institutional theaters 
        would take the time to go see what is surely the most captivating and 
        instructive homegrown Shakespeare this town has seen since the death of 
        Joe Papp.  Moonwork's production of Twelfth 
        Night deserves to on Broadway and looks like it already is. Critic's Pick Splendid
fascinating
a 
        pleasure
a reminder of how passionate and committed Moonwork is and 
        how abundant is this company's imagination. 
 a visually and aurally 
        rich production, splendidly directed
 the audience see this familiar 
        play anew
 Moonwork's Romeo & Juliet 
        is exactly what discerning theater audiences need and deserve: a thrilling 
        reminder of the heights Shakespeare can reach
Moonwork is to be commended 
        for filling these spaces with such intelligent performances and such dazzling 
        direction. This Romeo & Juliet will linger in my mind for a long time. (Moonwork's Romeo & Juliet) 
        generously synthesizes innovation and accessibility, wedding a populist 
        spirit to nuanced theatrics. The fusion is no accident. Ambitious, intelligent and ingenious
 1999 | A Midsummer Night's Dream Those unsung heroes of the theater 
        open their mouths and sing in Moonwork's farcical reimagining of Midsummer. 
        Director (Gregory Wolfe) has ideas by the trunkful...  The makers of Broadway musicals 
        could learn a thing or three from Moonwork's extravagantly zany off-off 
        production...  One of the finest and bar-none 
        funniest bard productions I have ever seen. 
 lavish in the resonance 
        it coaxes out of every gesture and phrase. Most efforts to translate Shakespeare 
        to modern time or novel political contexts treat him lika dead poet; this 
        company treats him like an intelligent colleague, and among them he is 
        very much alive.  Everything in this production 
        works
walking by the Public Theater after this performance reminded 
        me that, in the right hands, low-budget Shakespeare can be as powerful 
        as its big-budget cousin.  |  |  | |